American Blues News - "Dedicated to the promotion and celebration of the Blues."

(New York, NY)

Whether it is his personality, his legacy as a pioneer of early heavy-metal, his guitar playing, the blues-inspired rock riffs he has written, his singing voice, his appearances as a semi-regular guest on the Howard Stern Show, his wedding on the stage of Woodstock’s 40th anniversary concert or even his physical stature, there are few things about Leslie West that are not larger than life. Even the name of his band, Mountain, implies enormity.

Last week, Leslie West brought his ‘larger than life’ musical presence to New York City as he took the stage on two consecutive nights at B.B. King’s Blues Club & Grill in Time Square. Both West and drummer Corky Laing took a stroll down memory lane as they revisited two different incarnations of their past musical careers. On Wednesday June 30th, 2010, the festivities began with the current line-up of Mountain blowing the doors off of the venue with their signature brand of heavy blues-rock. From the very first notes played, the audience was sonically assaulted with (possibly) the most ‘badass’ blues-guitar riffs ever written, as the band launched into the now classic “Never In My Life”.

The set continued with other Mountain hits that included “Nantucket Sleigh Ride”, “Blood Of The Sun” and solo acoustic versions of “For Yasgur’s Farm” and “Long Red”. Aside from the typical Mountain-fare, one of the evening’s definite highlights came in the form of a touching solo acoustic performance of a song called “The Cell”; from West’s 2005 album (unfortunately) titled GUITARDED. According to West, the lyrics were sent to him in the form of a poem from a prison inmate who accidentally committed murder during a robbery. The poem was written as an apology addressed to the inmate’s mother, for committing the crimes. At the inmate’s request, West put the words to music and that night, his delivery of the song was both passionate and moving.

The set closed with Corky Laing and Mountain’s current bassist, the energetic Rev Jones (whose main piece of stage performance shtick consists of him swinging his head in a circular motion, causing long braids on the top of his head to twirl around like propellers on a helicopter) once again taking the stage with West and hammering out thunderous electrified rock and roll.