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Showing posts with label blues harmonica. Show all posts
Showing posts with label blues harmonica. Show all posts

Blues Harp Blowout, part 2 by Nelson Onofre


OK guys, here is part 2 of Mark Hummel's Blues Harp Blowout. Enjoy!

Nelson G. Onofre
e-mail: nelson@electriceyes.us
my websites: http://www.electriceyes.us/
http://electriceyesphotography.blogspot.com/

photos: All Rights Reserved
click on images for a larger view

Rusty Zinn
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Mark Hummel
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Mark Hummel
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Rusty Zinn
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Magic Dick
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Magic Dick
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Dennis Gruenling, Steve Guyger and Mark Hummel
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Mark Hummel
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Rusty Zinn and Magic Dick
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Magic Dick
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Rusty Zinn
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Rusty Zinn and Magic Dick
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

Magic Dick and Dennis Gruenling
Mark Hummel's Blues Harp Blowout
BB King Blues Club, NY, April 2010
http://www.markhummel.com/bhb_stars.html
photo: Nelson G. Onofre © 2010 Copyright

you might also like Sugar Blue here
come back often and bring your fellow Blues lovers!


Blues Summit by Nelson Onofre


OK Blues fans, this week I have photos from the Blues Summit: James Cotton & Friends show which took place at the Rose Theater at Frederick P. Rose Hall in New York on June 24. This was a star-studded event which featured some big names from the Blues world such as Hubert Sumlin, Pinetop Perkins, Taj Mahal, Shemekia Copeland, Willie "Big Eyes" Smith and James Cotton, whose band supported the artists during the evening's festivities. The Rose Theater was filled to near capacity which was nice to see for a Blues show.

James Cotton and his band got the ball rolling and they were joined by his friends as the show went on. I had seen most of the artists before so the highlight of the evening for me was to see and hear the legendary Pinetop Perkins. With intermission included the show ran around two hours. All in all it was a very entertaining evening and for Blues fan this was a great place to be. This was my first time at the Rose Theater and it is a beautiful concert hall. I hope to see some more shows there in the near future.

I'd like to thank Scott Thompson of Jazz At Lincoln Center for the press credentials.


Nelson G. Onofre
e-mail: nelson@electriceyes.us
my websites: http://www.electriceyes.us/
http://electriceyesphotography.blogspot.com/

photos: All Rights Reserved
click on images for a larger view

Blues Summit: James Cotton & Friends
Pinetop Perkins on the keyboards
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
David Maxwell
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Pinetop Perkins on the keyboards
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Pinetop Perkins
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Taj Mahal on guitar
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Darrell Nulisch on harmonica
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Darrell Nulisch on harmonica and Hubert Sumlin on guitar
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Hubert Sumlin on guitar
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
David Maxwell and Shemekia Copeland
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Noel Neal and Tom Holland
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland and Taj Mahal
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Billy Squier
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland and Taj Mahal
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland and Taj Mahal
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Taj Mahal
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
Shemekia Copeland and Taj Mahal
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

Blues Summit: James Cotton & Friends
James Cotton and Billy Squier backstage
Rose Theater, NY, June 2010
photo: Nelson G. Onofre © 2010 Copyright

you might also like James Cotton at BB King's here
come back often and bring your fellow Blues lovers




Mike Bram, A Man Of Many Talents - by J. Blake


(New York, NY)

In recent years Mike Bram has become a highly sought-after stage and session drummer, touring the world as musical director for 2010 Grammy Winner Jason Mraz and backing such notable blues talent as 2007 Blues Music Award nominee David Gross and 2008 Blues Music Award nominee Gina Sicilia. He has performed with everyone from Willie Nelson, Joss Stone and John Popper to blues greats like Mark Hummel, Steve Guyger and Watermelon Slim; and played on some of the planet’s biggest stages.

When he’s not on the road, he calls New York home and it is here in the Big Apple that he makes his way around the club scene; playing his harmonica and singing the blues, fronting his own band The Alternators. As a bluesman, his two studio albums (LEROY and the self-titled MIKE BRAM & THE ALTERNATORS) have been played on blues radio programs worldwide. More recently he’s been recording with Dave Gross, Dennis Grueling, Bob Margolin and Watermelon Slim for an upcoming Sean Costello Tribute Album.

He is a man that has worn many musical hats throughout his career, but at just 33 years-old, he shows no signs of slowing down anytime soon. He may not be a household name in the blues community yet, but he is definitely someone to keep an eye on.

I recently had a chance to sit down with my old college chum, as he took a break from preparing for an all night blues gig at Lucille’s Bar & Grill, located in B.B. King’s Blues Club in the heart of Time Square. We discussed life on the road, his somewhat recent passion for the blues, his writing process, and his plans for a third solo album.


J. Blake: Back when we first met, it didn’t really seem like you were that into the blues. I’m interested in finding out how this love and the desire to pursue this kind of music came about.

Mike Bram: Well, while you and I were in school, I was a jazz major. I feel like there is a connection rhythmically between a jazz drummer and a ‘traditional’ blues drummer, not to mention a similarity in the music itself. The line is kind of blurry. Even though you’d find T-Bone Walker in the blues category, some of his stuff really has a swinging big band jazz feel.

So there is a connection between the music and then when we graduated college I ended up doing some gigs with Jeff Hartwell as his drummer and that’s a southern rock kind of band. Between playing blues in his style and also being the drummer at his weekly open (blues) jam sessions, it inspired me to dig deeper into the actual tradition of the music; kind of like I was doing with jazz music in college. Doing the research and going back to listen to the early records; I did the same thing for the blues once I started playing the jam sessions. So going back from the things that we might hear, like Clapton and the Allman Brothers and then going back to where it came from.

Harmonica specifically, playing drums behind guys at the jam sessions, that were playing harmonica and kind of making a good sound out of it and I thought “if I have a musical ear, I’m sure I can just pick it up and at least make a good sound out of it.” I really loved the way it sounded through a bullet mic and I figured I’d just give it a whirl and then I just got addicted to it.

JB: Did you find it to be that easy?

MB: I picked it up pretty quickly. Now that is not to say that I still don’t have very far to go. There is so much to learn, but my initial learning; those initial 6 months seemed like it was a quick learning curve, where I could actually learn enough and sound good enough to play in front of people in a short amount of time. Then the research that I did, actually going out and seeing the real deal guys, clued me in to what I really wanted and what I needed to go for.

It takes years to get a real tone. I listened back to some of the earlier things I did when I first started playing harmonica and I didn’t have it together. It took years to get the tongue blocking technique down and things like that, but I was playing in front of people relatively quickly. Playing the drums at the jam sessions allowed me to be able to sit in on harmonica for a couple of sets and I just built it up from there.

JB: With your album (the self-titled MIKE BRAM & THE ALTERNATORS), I know you’ve also taken to writing your own original blues.

MB: Yeah, but you know that really goes in phases? At the time when I recorded that particular album, I had written a handful of tunes in a short amount of time. I don’t know how it happened. I think some of them are actually pretty good and some of them are kind of standard; I don’t want to say cliché, but they are standard blues. There are a couple there though, that I think are kind of clever; that I became attached to. There were like 10 or 12 songs that I just wrote real quickly. I don’t know how it happened. I’d just be up late at night, come home from a gig and just still have music going on in my head and I’d just come up with some idea or a ‘catch phrase’ and then build on it.

You know I’ve really only written a few things since then? So that kind of inspiration hasn’t really struck me much since, but I’m going to try and record a new album, hopefully, by the end of this year with a few originals and a few covers. But yeah, writing was just kind of a fluke thing and I try to pursue it sometimes, but when you’re actually trying to pursue writing a song, for me anyway, it doesn’t seem to work out. You need an idea first, that kind of helps it write itself. Which is how I felt when I wrote those songs; which I think was back in 2006.

JB: Since then, you’ve become quite the accomplished stage and session drummer. What has it been like touring the world?

MB: Well that was an amazing opportunity. It wasn’t blues, but I love and listen to all different styles of music. So the opportunity to play in front of, sometimes, 50 thousand people…what can you really say? You kind of have to pinch yourself. You ask yourself “is this really happening?” You have many moments of reflection, being up on stage, whether it was a thousand people or 50 thousand people. There were many moments where I remembered playing in the little clubs with sawdust on the floor. You know what I mean? It was amazing, I would just think about things like band class and stuff like that; all the different steps along the way. I felt very fortunate. I know there are a lot of people that play music and try to make a living at it. Very few of them get to see that. I am very fortunate.

JB: Any immediate plans to get back on the road as a drummer or are you going to stick around and play the blues for awhile?

MB: No immediate plans. Really what we’re waiting on is…we’ll see the next batch of tunes that Jason (Mraz) writes and he’ll be going back into the studio and hopefully I’ll be involved in that. Basically it depends on what happens with the next record; if he has enough songs to make a record and then when all that is taken care of, then you go out and support it.

JB: You mentioned you are planning to record another album of your own soon. What’s the real goal for you and the blues?

MB: For the blues thing, I’m freelancing. I like to play gigs with other people. I try to do as much work as I can with my friend Dave Gross. I am doing stuff with the Chris O’Leary Band. My own personal thing, I want to record another album that documents where I’m at now. My harmonica playing and singing have gone certain places since my last record in 2006. I want to get a snapshot of where that is at now and also have it produced by Dave Gross. He gets a really amazing vintage sound in the studio. He knows how to get the real raw tones and make them sound vintage, but also modern at the same time…if that is even possible. So I’m going to do some covers and some originals and use Dave’s knowledge of tones and sounds to help me make it a little bit different.

I also want to do a couple of things with the influence of the last few T-Bone Burnett projects; the Plant/Krauss kind of thing; just the way they make the drums sound and the tremolo guitar thing and certainly the style of guitars they use, like the Silvertones and the Kay guitars. I want to have at least a few tracks that sound like that, so that their not just standard shuffles and slow blues. I will certainly incorporate some of that too, but I want to have a couple of things that have a different sound as well.

JB: Well thanks man, it was great talking to you. I don’t want to hold you up too long. I know you have a gig tonight. It was nice to finally do this. We’ve been talking about it for a long time.

MB: Yeah thanks. This was cool. I hope you can make it to the show tonight. It is going to be a good one. You should bring your guitar. At some point, later on in the night, I’m going to try and open it up a little bit and maybe we can get you to come up and sit in.

JB: Sounds fun. Count me in.


*If you enjoyed this article, you may also enjoy: Tommy Castro Interview

Thanks and keep reading American Blues News!!!


NYC blues fans, make sure you check out Hubert Sumlin live at B.B. King's Blues Club and Grill tomorrow, May 13th!!!



Copyright © 2010 - J. Blake. All Rights Reserved

Gear Review with Chris Nacy, Seydel Endorsee by Monica Yasher


Chris Nacy is a Seydel endorsee and the harmonica player for the award winning acoustic blues duo, Izzy and Chris. Their critically acclaimed CD, “Preachin The Blues Volume 1”, reached #17 on the 2009 July Roots Music Blues Chart, and continues to receive extensive airplay. Together they have been main stage festival performers, and have supported numerous national blues acts including Buddy Guy, Keb’ Mo, Johnny Winter and Charlie Musslewhite.






Chris says, "I first became acquainted with Seydel during the recording of our first CD. I needed to purchase some low keyed harps and decided to give Seydel a try. I immediately began replacing all my harps with Seydel 1847s, which are the world’s first stainless steel reed harmonica. Out of the box they are best harmonicas I have ever played. The tone and responsiveness of the 1847 model is outstanding. I have actually never had a reed go bad on an 1847 in over two years."

Seydel was established in 1847 making it the world’s oldest harmonica. In addition to making a top of the line harmonica, Seydel is also known as a company that produces for the individual customer by providing custom tunings. Their online harp configurator makes it possible to have a harp made to your exact wishes. They are also the only manufacturer producing the very special low and super low blues harps. Unlike most massed produced harmonicas on the market today, Seydels are handmade in their factory, located in Klingenthal, Germany.



Chris also added, "In addition to their great line of harmonicas, I have always been impressed by their customer service. Rupert Oysler, president of Seydel USA, is very accessible, and provides a wealth of knowledge regarding tunings, repairs and modifications. He is also an outstanding player, and recently performed two shows with us in Asheville NC. I feel very fortunate to be chosen as an endorser for Seydel, and always enjoy promoting their great line of blues harmonicas to harp players that come to our shows."

Seydel has a really great website that is interactive for beginner, intermediate and advanced players.

For instance, there is an interactive version of a harmonica key change table here. This page also offers the beginner some suggestions on their first purchase.

Check out their blues beginner pack, which takes you from the first note to your own solo. You don't have to read music and many sound examples on a CD are included. You can play along with some cool backing tracks. This workshop delivers the core knowledge of experienced harmonica players in a condensed format, presented in an educational and fresh style. Read more here.

So you are a little bit further along? Well, then, try a demanding band to play along with your Blues harmonica. Your band is ready with eleven playback tracks recorded by professional musicians. It offers convenient access to all tracks available in 12 keys and in diferent Blues styles. It also gives some of those coveted playing tips for positions 1 to 3
This music is really fun to play! To read more, click here.

For the more than beginner, this page offers sound samples of their harmonicas.

Seydel has an excellent website. I hope you find something you are looking for there. Or, isn't it even cooler when you find something you are not looking for?

If you want to know a little more about Izzy and Chris, click here for their interview.

Copyright © 2010 Monica L. Yasher and Chris Nacy. All Rights Reserved.
Photo Copyright © 2010 Maureen Ciedro. All Rights Reserved.

Shipless Blues Cruise by Jim Stick

(Boulder, Colorado) On March 12th and 13th of this year the The Boulder Outlook Hotel put on a blues event that was unique in many ways. They called it a "Shipless Blues Cruise". Owner Dan King and booker Honey Sepeda brought in two major national blues acts for the weekend that Neil Simon, who wrote the play "The Odd Couple', would have been proud of the diversity between: Bob Margolin and Jason Ricci and New Blood. They further spiced up the weekend by booking two of the most accomplished Colorado blues bands in The Informants and the Delta Sonics.

It was a fascinating blues experience to see the modern harp wunderkind Ricci and his band, who stretch the modern blues envelope multi-dimensionally to the breaking point with a dazzling display of jazz\blues\funk instrumental wizardry, invite former Muddy Waters band mate and guitar player Margolin on stage to play with them. Then the next night, Margolin returned the favor and invited Ricci up to jam with him. One thing was plainly obvious--though they are on different ends of the blues spectrum--they both have a tremendous amount of respect for each other.


Jason Ricci and Bob Margolin

Margolin explained it to me this way about playing with Jason Ricci & New Blood:

"We call it Jason Ricci & Old Blood when I am up there. Believe me, I live my life around nasty old blues, but I appreciate other kinds of music if it is creative and soulful and that is Jason. I think he is incredibly creative. I don't know how to play that stuff but it sure is fun to try with him and at least try and apply my greasy old blues to his funk songs or more outside things too. It's good fun for me and I am just in awe of him".


Insert the theme music from the TV show "The Odd Couple" here.

Margolin also weighed in on the talents of Ricci & New Blood's guitar player Shawn Starski:

"I'm knocked out. He's got incredible chops and a lot of creativity. What he and Jason are doing together with the band is just spectacular".

Margolin played a short warm up set on Saturday Ricci & New Blood's bass player Todd "Buck Weed" Edmunds who hauled out his acoustic upright bass for the duet. Margolin is also a fan of Edmunds:

"We were playing traditional blues and he can also play funk and jazz and all those other things with amazing chops".

Jason Ricci is a thoughtful, introspective and fascinating human being who has a lot to say. He is a very knowledgeable student on the history of the blues. I asked him about his thoughts on Margolin and the modern versus traditional views on blues. His eyes widened and lit up. He thought for a quick moment, and then a ten minute or so wave of thoughts poured out of his soul. Here are some of the highlights:

"What I found (in Bob) was a very nurturing human individual and I found an individual with an open mind. What I have gotten from Bob Margolin is much more than a traditional musical father figure or a lifetime father figure--although he is both of these--what I have is an ally. I have somebody that could represent better than anyone else the President of the Hate Jason Society---who doesn't hate me--who supports me. I mean the one guy who should--the one guy who has the credentials to say hey this kid ain't doing it right--is saying listen people the kid can do it any way he wants. Muddy did it any way he wanted and by the way when I sit in with your ass I don't want to play blues. I want to play whatever the f*** you guys are playing".


Ricci coaxes high notes out of his harmonica that remind one of a soprano saxophone. A truly amazing and unique musician.

Ricci continued:

"Margolin is his own cat. He doesn't play just like Muddy. If Muddy had played like Charlie Patton---there wouldn't be a Muddy. If some of the guys who play traditional blues today (who look down on modern blues players) were alive in the 50's--they would be telling you that Little Walter is out of control, plays too many notes, and that Sonny Boy I was the real guy. It is so amazing that they don't have the awareness to see themselves like that. Bob's the best and I don't know what I would do without him".

Shawn Starski also had kinds words for his fellow guitar player Margolin:

"With Bob, I consider it as inspiration. His tone is great. His dexterity is great. His element of time and swing is impeccable. I just love it".

There were too many musical highlights during the weekend to list. The bands all played individually and jammed in more combinations than can be remembered. Kudos must go to the Boulder Outlook Hotel for thinking outside of the normal box and coming up with the Shipless Boat Cruise".


Ricci sitting in with The Informants and their sultry lead singer Kerry Pastine.

Owner Dan King explained the origins of the event to me this way:

"The whole idea of the "Shipless Blues Cruise" really started several years ago after talking to people who had gone on the real Blues Cruise. I really want to go too, but with two kids in college--I am about $4000 short! So we decided to do a mini-version here at the hotel and keep the price within reach of more people".


Margolin with Delta Sonics' harp player Al Chesis

Margolin was also impressed with the thought process behind the weekend:

"Usually a new idea takes a few years for it to work out and be profitable. They have done well with it and by the second year, they've sold all the tickets they want to sell and actually are limiting it so it won't be uncomfortably crowded for anybody. Whoever thinks of things like that instead of: gimme the money, gimme the money, gimme the money? One of the things about blues and blues club's owners--and it doesn't happen with everybody--but blues is an asshole filter. People aren't in it for the money. They are usually in it for the love and they use their creativity to try and find ways to make it work. You can't generalize it too much, because each situation is pretty specific, but you can generalize that people do have to think outside the box and be creative".


Denver based The Informants--tied this year for Best Self Produced CD in Memphis at the IBC.

Jim Stick is a blues writer\photographer living in Longmont, CO.
He has his own blues information website for the state of Colorado:
BluesinColorado.com

©Jim Stick, 2010

American Blues News Staff

What makes American Blues News unique is our coverage across America. Here is our lineup:

Mon: Memphis Correspondent - Robert "Nighthawk" Tooms
Nighthawk is our resident globetrotter and man behind the scenes, as he tours with the Reba Russell Band.

Tues: New York Correspondent - J. Blake
Blake is the American Blues News review and interview guru. You may catch him out and about in NY playing the blues.

Wed: National Correspondent - Monica Yasher
Monica is our executive director and artist interview specialist. You can catch Monica singing the blues around Pittsburgh or working on some country music songs in Nashville.

Thurs: Washington, DC Correspondent - Virginiabluesman
Geraldo offers inteviews and reviews. You may have seen him at an Ana Popovic concert or conversed with him on her websites, as he offers administrative support with her music.

Fri: Northeast Photographer - Nelson Onofre
Nelson offers a Friday column of blues photography and pictorial support for the interviews covered by the team.

Jim Stick in Colorado
Jim will be focusing on the Blues Festivals in the beautiful state of Colorado, and the artists that live and visit there.

Maureen Elizabeth, our resident art correspondent, will be focusing on blues art as she explores the creation of CD covers, or speaking with artists who also have a love of creating pictorial art in addition to their music! She may also feature some of her good friends in the Pittsburgh area. In her love of art, you may find Maureen's photography accompanying writer's articles on our pages. Maureen is also our marketing director.

Pittsburgh correspondent and photographer, CR Bennett, will share the Pittsburgh scene with all of you. You may also see CR's pictures accompanying other writer's articles.

We head to the big state of Texas! Abby Owen, our Texas correspondent.

Another big area to cover, the West Coast with Casey Reagan, Casey will feature many artists and events on this ocean's shores.

Lastly, we have our roving blues entertainment writer,
Chef Jimi.

And of course, we will surprise you sometimes!

 
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