Cutting Tracks at Royal Studio for Barbara Blue by Robert "Nighthawk" Tooms

(Memphis, Tennessee) This week we take a journey to the famous Royal Studio, housed in what was originally a movie theater located on the 1300 block of South Lauderdale in Memphis. It is within these magic confines that so many great hit records from Hi and Goldwax labels were cut, along with Al Green's phenomenal hits.

After it's beginnings as a movie theater, it's transformation into a studio where Bill Black and Ace Cannon recorded, this place blossomed under the leadership of the late Willie Mitchell, a great musician, songwriter and arranger in his own right, a major music force in producing and directing so many artists, in particular, the Hi Rhythm Section musicians who played on so many great blues and R & B hits.

Lawrence "Boo" Mitchell remembers his grandfather at Hope Church

Willie Mitchell is mentioned in these earlier American Blues News articles:

Where the Music Came From

Willie Mitchell Dead at 81

Willie Mitchell One Last Time Down Beale Street

Willie Mitchell Memorial Service

Surrounded by gleaming gold records, Boo Mitchell maintains the tradition

It was with a tremendous reverence that I entered this hallowed studio on a beautiful Thursday afternoon in the first week of September, 2010, to cut some overdubs for my friend Barbara Blue's upcoming CD. After being buzzed into the front door I was ushered to a comfortable chair in the front lobby.

After entering the studio I waited a few moments in the lobby for Boo Mitchell to arrive. He is an extremely busy man, deftly balancing the responsibilities of family, record making and a veritable procession of friends and loved ones who almost continually visit the famous studio.

As I sat in the lobby catching up on my phone messages, a small lizard appeared through the front door, seemingly coming from nowhere. Fearing he would possibly scare the young receptionist at the front desk, I alerted her that a lizard was resting on the front baseboard. Totally nonplussed, she replied, “Oh, it's ok. That's Pop's pet lizard. He comes in at certain times of the year.” As mysteriously as he had appeared, the studio lizard simply vanished.

When Boo came in the door, work in hand and talking on his phone, I introduced myself and mentioned that Pop's lizard had returned and then disappeared back out the front door. Boo said, “Yeah, I offered to shoot him with my BB gun but Pops wouldn't let me. Pops said to leave him alone because lizards eat bugs. I haven't seen him in a long time...I've been wondering where that little dude was.”

We have few lizard sightings in Memphis. I have seen lots of them in New Orleans and out west in Arizona, but very few in West Tennessee. I wished I had taken the magic studio lizard's picture.

Almost as soon as Boo entered he was covered up with guests. Gene Mason, a longtime club owner had dropped in to visit. Gene at 72 is spry, witty and has some great stories about Memphis and it's many musicians as he has owned many nightclubs going back into the past century. Gene managed Stax artists such as the Bar-Kays and William Bell. He currently owns the nightclub in the Executive Inn on Brooks Road, a rather famous old music spot for blues and R & B.

The enchanted Royal Studio mixing board...where hit records are made.

A two track and eight track 2 inch tape machine stand at the ready.

Old school tape splicing station..this is how we edited in the old days, kids...no digital tricks at all.

Without a doubt, one of the kindest, most affable and genuine personalities I have ever met in the music business is Boo Mitchell. He is quick to laugh and smile and always takes time to visit with the many folks who visit the studio. As he chatted with Gene Mason, a procession of a tour driver friend of his and his 3 tourists from New York came in the door. Without hesitation, Boo stopped what he was doing and gave them a quick tour of the studio.

The magic vocal booth and Al Green microphone

As I carried my old microphones, harps and 1949 Fender Champion 600 into the studio I overheard him telling the folks, “This is Al Green's microphone...” and entertaining them with grace and charm that was genuine and heartfelt. He obviously loves living in this great monument to Memphis music history. After the folks left to catch their flight back home, I told Boo that it certainly was kind of him to stop what he was doing to show the folks around and that he had a lot of heart. He said, “Oh yeah, man. You know, I mean, you have to do that.” To do otherwise would never cross his mind.

When once asked what was the greatest advice his grandfather had ever given him, Boo answered, "The greatest piece of advice would be to treat people with compassion."

Lester Snell, keyboard legend
Veteran Stax Records session musician, member of the 1970's Isaac Hayes Movement

After the procession of tourists departed, a cab pulled up to the front door and a crazed looking woman stood at the door requesting an audience. The receptionist instantly bolted out of sight of the woman, obviously having had to speak with the poor crazy woman in the past. Boo spoke in calm friendly tones with her for a few moments and she departed back in the waiting cab. He chuckled as he walked in saying, “you know that's the first person I ever met that had so many parents, Jackie Onassis, Elvis and Priscilla, maybe a few more.” He handles it all with aplomb and a sense of humor, never diminishing the poor lady or even as much as shooing her away from the door. He is a man of patience and tact, qualities that made Willie Mitchell such a class act and a successful producer...and Boo learned his grandfather's lesson about compassion well.

I love this thing...it's an overhead coat rack for mics and cables...genius.

Looking toward the control room from the main recording room.

Altec A7 Voice of the Theater wall-mounted upside down. I own one of these...beautiful sound.

Tape library, look at the talent on these tapes.

Boo Mitchell plays one of his grandfather's songs, "Let's Stay Together"

Before cutting a couple of harmonica overdubs for my friend, Barbara Blue, I had a chance to relax and play a couple of tunes on the beautiful Royal Studio Yamaha grand piano. Later when I was talking with Lester Snell I mentioned great sound of the piano, which had been recently tuned by Tony Thomas, another great Memphis musician. Lester agreed and added that he particularly liked the light elegant action on the piano. This feel can only be gained by an instrument that has been played and lovingly maintained for many years.

Boo at the Yamaha grand piano

I also got to witness a special moment when Boo played a song that always moves him, "Let's Stay Together," the monster Al Green hit that was cut in this very room. The song was written and produced by his grandfather and adopted father, Willie Mitchell, who was a seminal proponent of the Memphis sound, a great trumpet player and keyboardist who had a tremendous feel and knowledge of music and an incredibly inventive mind. His arrangements are unbeatable by any standard.

Boo played a few bars and looked up at Lester at a part of the song which featured a rather difficult flourish. They smiled at one another, Boo tried to reproduce the part and stopped, looking up at Lester. Like your favorite uncle, Lester lovingly bent over the instrument and added the perfectly executed flourish, just like the record. We all laughed and marveled at the richness of the song, the sound in the room, the history of this place and the magic that still hangs thick in the air at Royal Studio. Boo and his brother, Archie, are keeping it alive in Memphis.

Lester Snell quietly shows us all how it's done
That's a vintage 160 watt Sunn Model T with four 6550 power tubes in the background.

Barbara Blue working on her soon to be released CD

After laying down some harp tracks I got out of the way for Barbara Blue and Lester Snell to practice their parts, piano and vocals that Boo would engineer. As Barbara ran through the song a couple of times with Lester, Boo kindly walked me out to my car.

I asked him to call me sometime so I could come back to this magic place. Smiling he said, “yeah, next time we'll get you on the organ. You look like a B-3 player.” We laughed and as I drove off toward the Memphis Blues Society blues jam, we waved at one another as he greeted yet another neighborhood passerby who had hailed him as he walked back to the studio. On Lauderdale Street, everybody knows and loves Boo Mitchell.

RCT

© Robert "Nighthawk" Tooms

Willie Mitchell, one last time down Beale Street by Robert "Nighthawk" Tooms

(Memphis, Tennessee) If I were a better writer perhaps I could express the sense of profound community loss that I feel with the passing of Willie Mitchell. Today, me and my fellow working Memphis musicians held a funeral procession for Pops on historic Beale Street (January 12, 2010). They all braved the freezing temperatures to play a few last songs for our fallen friend and make an attempt to express our gratitude and heartfelt respect for this monolith of Memphis Music. If you have ever felt a shred of hometown pride then you will understand how ebullient and overwhelmed Memphians were with the success of Hi records and the many accomplishments of Willie Mitchell. We are commensurately saddened and grieved by his passing which marks the end of an era (photo above by Charley Burch).

Willie Mitchell at the Fender Rhodes electric piano

In the midst of a city so full of deprivation and squalor, where a huge percentage of the city lives under the poverty level, to see someone from our ranks, someone unknown, like an Al Green or Teeny Hodges or Willie Mitchell, rise to prominence, is more vicariously gratifying than I am capable of expressing with mere words. The soul-stirring emotional jolt that you hear when you first experience"I'm so Tired of Being Alone" by Al Green, his first hit, is the stuff of which dreams are made. This did not occur by accident. It was the genius foresight and planning of the late Willie Mitchell.

For more details and his discovery of Al Green, please click this link to an article I wrote earlier:

http://www.ameriblues.com/2010/01/willie-mitchell-dead-at-81.html

Willie Mitchell, a kind man known to musicians everywhere as "Pops"

Willie Mitchell's tenure as a bandleader and trumpet player in the clubs of West Memphis prepared his ear for the musical farsightedness that would produce so many Hi and Goldwax records. His jazz training and experience from gigging gave him this rare talent to hear the future, juxtaposing what he knew he could provide in his studio posed against the vocal strides of the likes of Al Green and Sly Johnson, Ann Peebles and so many more. His imagination knew no bounds.

Here's a link to another article about where Memphis Music originates, touching on Willie Mitchell's band and the contributions of the club scene in West Memphis:

http://www.ameriblues.com/2009/12/memphiswhere-music-came-from-posted-on.html

Musicians gather at B. B. King's before the funeral procession begins

Rudy Williams

Trumpet player Rudy Williams, who has played Beale Street every day for over 20 years, led the procession and the mourners who attended the private family service lined up in a very long parade of limousines all down old Beale Street.

Rudy leads a procession of familiar Beale Street habitues, musicians, bartenders, club owners and managers, and John Elkington who is both famous for renovating and developing the street and notorious for allegedly not paying the city of Memphis any rent for over 20 years. That matter remains in litigation. According to Elkington, the night Al Green sang with Willie Mitchell on trumpet was one of the greatest nights of entertainment ever seen on the street.

hymns played on horns and percussion

Limousines stretch for almost three city blocks

Dear friend Bob Harding, High Punjab and Supreme Overseer of the Black Diamond club and I consider lighting a fire with the remains of what was Pat O'Brien's to ward off the cold.

Rudy Williams and Dr. Herman Green

Musicians gather outside the New Daisy Theater to play one last song for the mourners. Note that club owner Mike Glenn raised the words "Pops Mitchell R.I.P." on the marquee.

The author stands with bassist Vic Charles. We played many days and nights on Beale at the now defunct Willie Mitchell's Legends club.

The author and one of his oldest comrades, Tater Red. He is the owner of Tater Red's Lucky Mojos and Voodoo Healings, one of the most fun locations to visit on the entire street, particularly if one is in need of some Essence of Bendover or a Run, Devil, Run holy candle. Look to see a future article on Tater Red here at the American Blues News.

Here's his site: http://www.taterreds.com/

Musicians gather for a few last words outside the not so bluesy Hard Rock Cafe. That's Watermelon Slim on the left, wearing the hat, standing next to Vic Charles and Vic's sweet wife. Next to Vic is J. Thomas Link on saxophone. Just left of the the flower arrangement wearing a beret stands David Skypeck, drummer for Free World. Next to him stands Richard Cushing, bassist and leader of Free World who organized all these fine musicians to play today. In front of Richard is Dr. Herman Green who also plays with Free World. Next to Herman is my friend and former band mate, Barbara Blue, who performs nightly at Silky's at 3rd and Beale. That's her boyfriend John Hyde standing next to her. Next to John is trumpeter Ewing Joseph Dice.

The distinguished Dr. Herman Green

After most everyone had left save the musicians, my longtime friend Herman Green had a few words of praise for Willie Mitchell, who led the way for all of us for many years. Herman said he had played many nights in Willie Mitchell's band at Danny's club in West Memphis, Arkansas during the mid-1950's and pointed out that thanks to Poppa Willie there was a Memphis sound that was unique to this area and its musicians .

For more information about the Handy Lifetime Achievement Award-winning Dr. Herman Green, please click this link to an earlier article I wrote about my friend:

http://www.ameriblues.com/2009/12/memphis-dr.html

In parting let me pass along this anecdote from my former band mate, Joe Schicke. Joe played in my band, the Wampus Cats, and also the Reba Russell Band until moving to Colorado. By the way, Reba would have been in attendance today but she was recording in Memphis with Grammy award winning producer Jim Gaines on the new Huey Lewis CD.

Joe Schicke at Royal Studios with Willie Mitchell

Joe writes, "This picture is from May 2009. Pops was a kind, smart, and funny man who absolutely loved music, and I'm so glad to have been able to spend some time with him. I'll always remember the times walking in Royal to mix and he would say, "Boo's back there..." then I'd come back up later and he'd be at his desk playing along to my band's songs on his keyboard! He always took time to talk and make me feel comfortable."

Joe is flying in from Colorado to play in Don Bryant's band at the Willie Mitchell memorial service being held for the public at Hope Presbyterian Church. Musical tributes will be performed by Solomon Burke, Willie Clayton, Otis Clay, Kevin Page, Preston Shannon and J. Blackfoot. Look for more on this event on my article to appear here on this Monday, January, 18, 2010.

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©2010, Robert "Nighthawk" Tooms

RCT

Check out my site at http://robertnighthawktooms.com/