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Showing posts with label Shemekia Copeland. Show all posts
Showing posts with label Shemekia Copeland. Show all posts

Greeley Blues Jam by Jim Stick

Colorado is known for its' 300 days of sunshine a year. That fact, along with normal low humidity and cool crisp nights, makes Colorado a usually ideal place for an outdoor blues festival. Sure it might get some afternoon thunderstorms in the summer months but a non-stop three day soaking rain? Naw--that's reserved for the midwest or a place like Seattle. But unfortunately for the Greeley Blues Jam in Greeley, CO, mother nature showed her unpredictability by unleashing just such a steady downpour at this year's event.
The weather could have had disastrous results for any festival. But with some quick thinking, a little bit of luck, and the steely determination of a dedicated group of volunteers---this year's Greeley Blues Jam was miraculously pulled off.

(Left) Tim "Too Slim" Langford of Too Slim & the Taildraggers

The weather could have had disastrous results for any festival. But with some quick thinking, a little bit of luck, and the steely determination of a dedicated group of volunteers---this year's Greeley Blues Jam was miraculously (and the word "miraculously" might be an understatement) pulled off.

The outdoor portions of Friday night's activities were hampered by the rain which came and went early but by halfway through the set of Too Slim & the Taildraggers from Seattle, WA--it started pouring rain, with a little hail mixed in, and the rain never stopped in Greeley until Tuesday. Amazingly the crowds were pretty good sized despite the weather. A lot could be contributed the energetic set laid down by Too Slim & the Taildraggers. This band gets it due in the northwest of the USA, where they have a huge following. But they are grossly underrated and under-appreciated in the national blues media. This was the first time in around five years they had made it to Colorado and the crowd was loving every minute of it. Tim "Too Slim" Langford's sizzling slide guitar work had many people dancing care free in the cold and penetrating Colorado rain. Later that night at eight bars all within a two block radius of the outdoor downtown events--the best of the Colorado blues bands played and it was hilarious watching people make mad dashes from bar to bar in the driving rain. The local newspaper (The Greeley Tribune) commented in an editorial after the festival that they had never seen the downtown area "hopping the way it did Friday night".

The festival was scheduled to start on Saturday morning at the Island Grove Arena which hosts the Greeley Stampede every year-- one of the biggest rodeo's in the country. Wisely they sod the floor of the arena for the day of the festival (and then sell it used the next day). But even with that, when the sound crew showed up at 9am, the sod on the arena floor was covered with ankle deep water and with no end in sight to the rain--they said they just couldn't do the sound outdoors on that day. That set the heads of the Greeley Blues Jam organizing committee (Al & Pam Bricker) into an "OMG what the heck are we going to do" train of thought. They met with Tom Welch, the manager of the Island Grove park complex and asked about the indoor event center on the property and very luckily there was nothing scheduled for it that day. After numerous details to be ironed out at 10am they made the decision to move the festival indoors. However it was scheduled to start in one hour so their work was cut out for them.

They mobilized their army of volunteers and got to work setting up the venue. Notably Fine Audio from Denver that was doing the sound had about the toughest job to do. They had two sound systems for the two stages set up outdoors and now they had to tear them both down in the pouring rain and quickly set them back up again inside. One major problems was averted when Matt Larson of Kenny's Steak House graciously allowed the event to use their liquor license for the indoor facility.

When I arrived shortly before 11am--less than one hour after they made the decision to move the festival--I could hardly believe my eyes. The indoor venue was set up and looked almost ready to go. The food vendors were setting up, the two stages were set up, and chairs had been set up for the VIP section. If I hadn't known better it looked like they had planned on being there all along and had spent a couple of days getting ready. Moving the two sound systems would prove to be the most time consuming but by 12:25---around two hours after they decided to move the festival indoors--the Colorado blues stage was rocking with the sounds of the Blues DoGs. The word "miracle" was on most people's lips. Colorado blues bands played throughout the day on the second stage while the mainstage acts were setting up. There is a LOT of talented blues bands in Colorado and I noticed a lot of the national acts paying attention and digging what was going down on the Colorado stage.



(Above) Kerry Pastine---lead singer of The Informants.

The main stage started out with Colorado's own The Informants. This band tied for the Best Self Produced CD at this years' IBC in Memphis, has had Dan Ackroyd play their music on his national blues radio show for over a year, and has been getting serious national airplay on the Sirius satellite XM blues station. This high energy blues-based R&B band had the crowd jumping from the start and showed why they are knocking on the door of being a national touring act. Go download the song "Salvation" from their last CD "Crime Scene Queen" and you will immediately understand the buzz about them. This band loves to have fun and they convey this vibe very easily to a live crowd.



(Above) Polly O'Keary bass player of Too Slim & the Taildraggers.

Next up on the main stage was Too Slim & the Taildraggers--all rested up and dried out from their rainy outdoor adventure of the night before. Heck they are from Seattle--they probably felt right at home. They were simply on fire on Saturday afternoon. It was one of the better sets I have heard in a while. Mention must be made of the superb rocking rhythm section of Polly O'Keary on bass and Tommy Cook on drums. Ultra tight--they have a great chemistry between the two and give Too Slim a solid rocking foundation for his formidable guitar playing. I'm not sure at all how O'Keary can move and play so hard on stage, especially at the altitude of Colorado, but she pulled it off (with a few deep breaths in between songs) and a big smile never left her face the whole weekend. A high point was O'Keary's emotional singing of "The Light" from Too Slim's last CD--"Free Your Mind". Many people came up and told me it was the highlight of the festival to them. Hopefully Tim Langford and his bandmates will get their just due when their next CD comes out (hopefully this winter). They played some of their new songs over the weekend and they were very, very good.



(Above) Shemekia Copeland

Shemekia Copeland hit the stage next and she is hard to top when it comes to female traditional blues singers. She told the audience she was very moved by the number of people from Colorado who came up to her before her set and told her stories of her late father--Johnny Clyde Copeland--playing around Denver many years ago. Copeland in turn moved many Colorado blues fans with her set which drifted in between soulful blues and gospel. Her touring band were solid seasoned blues professionals and it was easy to hear why she has won so many blues awards in Memphis over the years.



(Above) The sensational Sonny Landreth

Sonny Landreth was next up and he is just in a class by himself and in his own world as a guitar player. He has developed his own unique style and has perfected it with years of touring and playing. A special treat for his set was longtime friend Steve Conn sitting in on keyboards and accordion. Landreth and Conn have recorded together and used to play together in Colorado around 1980 before Landreth returned home to Louisiana to embark on the musical path he is on now. Conn is now based in Nashville putting out some solid Americana style recordings. The result was a top notch set that technically was off the charts. Landreth coaxes the most tasty and beautiful sounds out of his guitar with his slide playing. If angels in heaven play music--it would sound like Sonny Landreth.



Kim Wilson and the Fabulous Thunderbirds finished off the night on the main stage and they did not disappoint. Wilson is the only original member left from over 30 years ago when the T-Birds started and he is still at the top of his game as a frontman, singer and harmonica player. Wilson always has great guitar players with him and his current line-up features two killer players in Johnny Moeller and Mike Keller. Moeller in particular was outstanding and quickly made people forget about the many famous name guitar players who have played with the T-Birds in the past.

Overall it was a great festival with a marvelous diversity to the main stage line-up. Many different shades of the blues were heard during the day. It was the second year for the Greeley Blues Jam and the fifth if you count the three previous years when it had a different name. This is not the typical resort town or major metropolitan city that you think of when you think of a place for a blues festival in this state. But from the all volunteer group that organizes the festival, to the many businesses that financially sponsor it, to the Chamber of Commerce and the city government---it is truly a shining example of how a mid size town can get behind an event and put on a successful blues festival.

I asked Tim "Too Slim" Langford what he thought of the festival (that you should look at attending next year on the second weekend in June)--he said:
"What a wonderful group of people who put on the Greeley Blues Jam. My hat is off to Al & Pam Bricker, the sound and lighting people and all of the volunteers who had to overcome such overwhelming obstacles due to the bad weather and get the festival moved indoors. It went off without a hitch. It was our first time in Greeley and the crowd was fantastic. We had such a great time performing for everyone. The people in Greeley were so friendly and accommodating. We hope they will invite us back someday."

©Jim Stick, 2010

Stay with American Blues News all summer as our coast to coast blues writers travel to and report on the many wonderful blues festivals held in this country.

Shemekia Copeland by Nelson Onofre


Greetings blues fans! This week I am featuring photos of Shemekia Copeland from her show at the BB King Blues Club on Sept. 30, 2009. Opening the show was Rick Estrin & The Nightcats. You can see those photos here-

http://www.americanbluesblog.com/2009/11/new-york-blues-beat-goes-on_08.html

I actually first heard Shemekia at a blues jam I used to attend a few years back. This was my first time seeing her with her own band and let me tell you, she is some kind of singer! She can belt it out with the best of them and take you to church or just lay back and give you some blues that will make you say "wow!". I was very impressed with her and the band.

As I have mentioned before I know guitarist Arthur Neilson from the blues jams I used to go to and I have had the pleasure of jamming with him on several occasions. My last band, Motel Soap, covered his song, 'Fenderbender'. Arthur's tasteful playing added just the right flair to the songs. His playing is forceful when it needs to be and restrained and delicate when it needs to be, always with just the right touch.

The band as a whole was tight and lent superb accompaniment to Shemekia. She handles herself onstage like the veteran performer she is. If you've seen Shemekia then you know what I'm talking about, if you haven't seen her I highly recommend catching her onstage.

I would once again like to thank John Seroff of BB King's for providing me with access and a photo pass so I could do my thing. If you haven't been to BB King's in New York yet please do so as it is a great venue for catching some live music. There are always great bands playing there and I still go there as a paying customer.

Nelson G. Onofre
e-mail: nelson@electriceyes.us
my websites: http://www.electriceyes.us/
http://electriceyesphotography.blogspot.com/


CHRISTMAS GIFT SUGGESTIONS
Well, being that Christmas is fast approaching I want to make some gift suggestions. The first one is a DVD of
one of my favorite guitar players, Gary Moore. This should be the same show I have on VHS tape and it displays Gary's formidable guitar chops in all their glory. His guitar tone is absolute killer. There are special appearances by Albert Collins and Albert King. Not a bad place to start if you're not familiar with Gary.

Gary Moore & The Midnight Blues - Live at Montreux 1990 (DVD) get it here

Next up is a DVD by the smokin' Stevie Ray Vaughan from 1983. Stevie is firing on all cylinders on this disc. If you like some electricity in your blues then look no further.


Stevie Ray Vaughan & Double Trouble - Live at the El Mocambo 1983 (DVD) get it here

Next we move on to a best-of CD by the late, great Albert Collins. There are a lot of things out there by Albert and by no means am I suggesting this is the definitive collection but the version of 'If Trouble Was Money' on this disc is simply fantastic. For me worth the price of the CD.

Albert Collins-Collins Mix: The Best (get it here)

Speaking of Albert Collins my next suggestion is a CD by Coco Montoya, who Albert took under his wing. You can hear some of Albert's style in Coco's playing. I have seen Coco numerous times and I love his playing. If you like rockin' electric blues this is a good disc to listen to. I'll be posting some photos of a recent Coco show in the near future.

Coco Montoya- Suspicion (get it here)

A very talented player, Robben Ford is no slouch when laying down some blues. I've been a Robben Ford fan for years and have also seen him numerous times. This is one of my favorite discs of his with the Blue Line. The rhythm section of Tom Brechtlein on drums and Roscoe Beck on bass is air-tight. Highly recommended!

Robben Ford & the Blue Line (get it here)

Last but not least is a CD by Tab Benoit. A buddy of mine turned me on to Tab years back and what I like about this CD is that it has a very live feel about it. I love Tab's version of 'I Put A Spell On You' and the rockin' 'So High'. For me there's not a bad cut on this CD. Don't overlook his other discs as well. Check him out, he might be your cup of tea.

Tab Benoit-Nice & Warm (get it here)

other CD recommendations:
Gary Moore- Blues For Greeny
BB King- The Best Of, The Millennium Collection
Albert King- King of The Blues Guitar
Tinsley Ellis- Storm Warning

So, I know there are tons of good things out there but these are my recommendations for holiday gifts. And of course you can always take someone out to catch a live show. We have to support live music.

Arthur Neilson & Shemekia Copeland
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Shemekia Copeland & Kevin Jenkins
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Shemekia Copeland & Kevin Jenkins
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Shemekia Copeland
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Shemekia Copeland
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson & Shemekia Copeland
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

Kevin Jenkins of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Shemekia Copeland
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

Arthur Neilson of Shemekia Copeland's band
BB King Blues Club, Sept. 2009
http://www.shemekiacopeland.com/
http://www.arthurneilson.com/
photo: Nelson G. Onofre © 2009 Copyright

check out Monica Yasher's interview with Shemekia here



Pittsburgh : Shemekia Copeland Interview by Monica L. Yasher


Shemekia Copeland is one busy lady! With a new CD out, traveling to Turkey, and planning a wedding, I don't know how she has time to take a breath! I truly enjoyed talking to Shemekia. She is a real person who believes in the power of a good song, appreciates the people who have helped her in her career, and realizes the importance of family and impacting people's lives. Let me share what we talked about.

Monica: Shemekia I see that you have a new CD called, Never Going Back.

Shemekia: Yes

Monica: What I’m always interested in, is the songwriting. Did you do any of the songs?

Shemekia: Oh Gosh. I don’t do a whole lot of songwriting.

Monica: You don’t. I thought you did!

Shemekia: No, I’m not a…I like to write…but….there are people’s songs that I like a whole lot more than mine. Some people have a knack for doing that. I usually do other people’s songs more than mine. I’m one of those people that actually care about the record. And, I don’t want to put a bunch of bullshit songs on the album, because I wrote them like so many people do. I refuse to do that. I prefer to put a good song on it. When someone writes better songs than I do, I do that one.

Monica: Wow! Most artists I have interviewed have written their own songs. Let’s talk about how you select your songs. Do you already have a theme in mind, or is something going on in your life that you want to convey? How do you go about that?

Shemekia: Absolutely! This last album was a very different album for me, because on this album I talk about things I have stayed away from in the past. ..like politics…religion….murder…all kinds of things. I really wanted to find a way to talk about those things but in a subtle way. Do you know what I’m saying?
And, we did. I’ve been working on albums for years and the songwriters know what I am looking for. And, I’ve worked with them. It was great! Really cool!

Monica: So you gave them the concept, and from there they wrote for you.

Shemekia: There you go!

Monica: That’s awesome. How about the interpretation of getting these songs. How do you go about tackling someone else’s words?

Shemekia: It takes me a long time to find songs and to write them. Songs are very special and in your soul. I really take pride in it. You have to believe it. That’s how you perform a song. You believe in it or you just don’t get it…the words of that song. I’m doing a Joni Mitchell song on this album called Black Crow, an absolutely fantastic song. I just love that song so much I just felt she wrote that song just for me. She writes brilliant songs.

Monica: Do you try out the songs before you record them to see if your audience receives them well?
Shemekia: Not usually. You can’t make a record for everyone. If you try to do that then nobody will like it. What one person dislikes another person will. You have to make songs and do them because you are passionate about it. And, then you hope and pray other people will like it. (she laughs) The one thing that I’ve learned in my career is that you can’t please everybody.

Monica: I hear you.

Shemekia: You just can’t. It’s impossible. Believe me, I stopped trying to.


Monica: I respect that and yeah, I can relate..I can relate to that. Let’s talk a little bit about Shemekia. What is the mark that you want to leave on blues. What do you want people to say about you and your music?



Shemekia: I want them to say that I was an innovator and I had a hand in evolving this music and making it grow by being an artist. I mean..I’ve had so many ways to grow as an artist… voice lessons, this lesson..that lesson… because I want to grow as a singer, as an entertainer…acting lessons and things like that. That’s what I do. I have to be sure that I am good at what I do. I want them to say that I helped keep blues music evolving and growing.

Monica: I do have to tell you that I have an experience with you that backs what you are saying. You were at Wheeling at the blues festival, probably two or three years ago. I took my daughter to see you and she got in line for you to sign her CD. You signed the CD for her, and asked her if she was going to keep the blues alive. She just looked at you in awe and finally I said, Jessica tell her Yes! So, I just want to say that you are what you say. You are keeping the genre alive. So, thank you!

Shemekia: Oh, Thank you! I definitely try.

Monica: If you had to thank someone for your career who would that be?

Shemekia: If I had to thank someone?

Monica: Yes. For motivating you… for…

Shemekia: It would really be hard. I would say at this point…If it wasn’t for my father, I wouldn’t be doing this. You know what I mean. If it wasn’t for my parents being such great parents, raising me, and keeping me grounded in my life. I wouldn’t be here, and I wouldn’t be doing this. As far as my career and the direction of it, I would definitely think of John Hahn, because he has just been instrumental and amazing. I could not have been here, couldn’t have gotten here without him.

Monica: When you are listening to music, who is in your player?

Shemekia: Oh my God! I wish you could see my ipod! I really do, because no one would ever know it!

Monica: Well, we Want to!

Shemekia: I got Dean Martin in there. I got ..just everything…Nancy WilsonEtta JamesRuth Brown…I just downloaded a bunch of Curtis Mayfield…I love so many different types of music.

Monica: I think everyone is all over the place. It’s so accessible to pull a song here and there.
What are the things you like and dislike about being on the road?

Shemekia: I don’t like beds in the hotels! (we laughed) But recently I found something that helps, like taking my own pillow. Some of my guys are doing it, and I thought let me try this cause they never have problems sleeping! And, I’ve been taking a pillow, and I’m telling you that I think it makes a difference! (we laughed).

Monica: Cool! Glad it works!

Shemekia: I really love being out on the road. I really do enjoy it. Otherwise I don’t think I’d be doing it.
Does it get hard? Yeah. You get tired and you run into all different kinds of weather. You got to deal with the weather change. That’s not all that great for the voice. A lot of things about it and I’m…Oh God what am I going to do? But, yes I always enjoy it.

Monica: Your vocals are always so powerful and strong. What do you do when there is a cold…how do you get through that…for other vocalists that are looking to you for guidance…any tidbits?

Shemekia: Well you know what? For a long time it was just prayer. And, I think that…because I had no formal training. I didn’t know anything about the voice, other than simple breathing techniques at the very beginning. Now I’ve been taking voice lessons. So lately I’ve been learning all kinds of techniques to keep my voice in tact.

Monica: How long have you been taking voice lessons? It doesn’t sound like very long.

Shemekia: No. Probably about a year and a ½.

Monica: That is amazing Shemekia with your power!

Shemekia: And, I haven’t had one in a long time ’cause I’m working like a mad person. I’m going to start back in the winter. Probably in January. I’m getting married in December. In October, October 16, I go to Turkey for six weeks and get back around November 23. Then I get married and go on my honeymoon. I’ll start back after that.

Monica: Best wishes on your upcoming marriage! You are busy! What do you think your greatest accomplishment is at this time?

Shemekia: I tell you what. The other night I was on stage. And, I was talking about how much I’m going to miss Koko and that no matter how close we got over the years I always had a…she had been to my house…from the first time that we met…I couldn’t say a word to her because I was just so damn nervous but….she had been to my house….we cooked catfish…we got so close over the years…she would just call me randomly to see how I was doing…but I still felt that Oh my God…I’m in the presence of greatness. You know… I never lost…I never lost that feeling over the years…So, anyway, to make a long story short. After the show a young woman came up to me and she said, You are my KoKo Taylor. I’ve been listening to you since I don’t know what age. I’m telling you…I teared up…I tried not to let her see it…I teared up…And I thought Oh My God, what I have been doing for these past fifteen years or so really matters. And, I just…it made everything fine. So, I could say that was my greatest accomplishment.

Monica: Shemekia that’s wonderful. What’s your fondest memory of Koko?


Shemekia: Oh my Gosh! I remember I was somewhere…I don’t even remember where it was at this point. But…Koko came out to see me. I was so sick. I think it was heat exhaustion. I don’t know what the hell happened to me. But I was just…the paramedics were there before the gig…thinking Oh My God…am I going to pass out? Anyway…the show must go on. So I went over there and I saw her. And when I saw her…I was like…if Koko Taylor can be here…you know…and she is not in the best of health…if she can be sitting right here in this heat, and come to support me and watch what I do. Then, I can get my ass on stage and I can do this. I saw her and it seemed like she gave me all the energy I needed. I went up there and…I did the show.

Monica: That’s really touching. It seems that all of the blues artists I interview have talked about how this is a family. When someone pulls in at a festival. They are excited to see one another, and they mention that they just saw them here or there. The blues community is truly a family. I keep hearing more and more of that.

Shemekia: Oh! Definitely! Hell. There aren’t that many of us when you really look at it. So we have to stick together. We have to support each other because the support for blues is kind of limited. Not to minimize the fabulous, wonderful fans that we have, and many of them are die hard and always come out to support us. If you have three or four blues acts coming to your town in a week…you know what I mean…a person can not afford to come out and see three or four blues acts in a week. You know what I mean? You have to pick and choose.

Monica: Pittsburgh is a huge blues town. We have really good fans, and we really have good acts coming in., probably because of the fan base. You will go where you are heard!

Monica: Anything you want me to ask you that I didn’t cover?

Shemekia: I don’t think so…I think this has probably been one of the best interviews that I have had in a long time.

Monica: Thank you.. I’ve been a fan of yours for years. I love Beat Up Old Guitar.

Shemekia: That’s a great song.

Monica: I appreciate all that you do. Good luck with your upcoming marriage. That’s such an exciting time. We’ll catch you on the road.

Shemekia: All right then. Thank you.






Thank you for reading American Blues News!





Copyright © 2009 Monica L. Yasher. All Rights Reserved.
Photo Copyright © 2009 Nelson Onofre. All Rights Reserved.

To purchase the rights to reprint this article, please email info@americanbluesnews.com.

American Blues News Staff

What makes American Blues News unique is our coverage across America. Here is our lineup:

Mon: Memphis Correspondent - Robert "Nighthawk" Tooms
Nighthawk is our resident globetrotter and man behind the scenes, as he tours with the Reba Russell Band.

Tues: New York Correspondent - J. Blake
Blake is the American Blues News review and interview guru. You may catch him out and about in NY playing the blues.

Wed: National Correspondent - Monica Yasher
Monica is our executive director and artist interview specialist. You can catch Monica singing the blues around Pittsburgh or working on some country music songs in Nashville.

Thurs: Washington, DC Correspondent - Virginiabluesman
Geraldo offers inteviews and reviews. You may have seen him at an Ana Popovic concert or conversed with him on her websites, as he offers administrative support with her music.

Fri: Northeast Photographer - Nelson Onofre
Nelson offers a Friday column of blues photography and pictorial support for the interviews covered by the team.

Jim Stick in Colorado
Jim will be focusing on the Blues Festivals in the beautiful state of Colorado, and the artists that live and visit there.

Maureen Elizabeth, our resident art correspondent, will be focusing on blues art as she explores the creation of CD covers, or speaking with artists who also have a love of creating pictorial art in addition to their music! She may also feature some of her good friends in the Pittsburgh area. In her love of art, you may find Maureen's photography accompanying writer's articles on our pages. Maureen is also our marketing director.

Pittsburgh correspondent and photographer, CR Bennett, will share the Pittsburgh scene with all of you. You may also see CR's pictures accompanying other writer's articles.

We head to the big state of Texas! Abby Owen, our Texas correspondent.

Another big area to cover, the West Coast with Casey Reagan, Casey will feature many artists and events on this ocean's shores.

Lastly, we have our roving blues entertainment writer,
Chef Jimi.

And of course, we will surprise you sometimes!

 
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